Make Your First Festival Show Rock! Are you playing your first green-field music festival or outdoor show soon? Not quite sure how it all works on the other side of the 'Artists Only' sign? Don't worry; help is at hand. My name is Andy Reynolds, a concert tour manager & live sound engineer. In this printed, paperback, mini-guide, I will give you my tips on making the most of your first festival slot. I have toured with bands and singers for more than 25 years, and work on loads of open-air, 'green-field' type festivals, such as Glastonbury, Roskilde, Coachella and Bonaroo, each summer. I know how bands can have a good show at a festival - and how they can mess up their chances by not being prepared for that all -important music festival slot. It is very important to your musical career that your festival appearances happen with no hitches, dramas or technical problems. Audiences go to music festivals to see and hear great bands. If they happen to catch you, and you are totally on fire, playing a great set and full of confidence, those people are likely to become fans. There is so much competition at each festival, and every band has that once chance to ignite the crowd, even if they are a well-known and successful act. None of the bands can afford to be ill-prepared or leave things to chance. But you need not worry about any of that - you will hit the stage looking like a pro after reading this book!
The editor has realized several objectives in selecting pieces for inclusion: to document stylistic development from the late Middle Ages to the twentieth century; to illustrate the major categories of choral composition in different periods; and to provide a convenient library of works by major composers in the choral genre in a convenient format. The organization of the anthology is chronological: after surveying the sacred choral literature of the Middle Ages and the Renaissance, Dr. Robinson divides the secular music of the sixteenth century by nation; he then presents examples of the sacred and secular output of the seventeenth and eighteenth centuries. The Romantic period is organized geographically, as is the twentieth century, and includes representative works from all the major Western cultures. In all cases, the very best edition of a work has been chosen for inclusion. Where an acceptable version did not already exist a fresh edition was made especially for this anthology.
Through multi-site, multi-media, and multi-language ethnographic and historical research, the author demonstrates that during the twentieth century, as the mainstream definition of Americanness changed from whiteness to assimilation and to ethnic diversity, the meaning of being Chinese evolved. Jinzhao Li demonstrates the shifts that occurred from non-assimilation in the 1910s and Americanization in the 1930s to exoticization in the 1950s-1960s, pan-ethnicization in the 1970s, and localization in the 1990s and 2000s. She focuses on the transformation and self-representation of the Chinese American community through its biggest annual events. Different from many contemporary studies of U.S. ethnic festivals and beauty contests that adopt a white/non-white analytical binary, this book proposes a colonial settler-indigenous triangular model in understanding U.S. racial relations and ethnic self-representation.
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